In the studio 2/21/16
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I still haven't settled on its…
~ ~ Thomas Hudson studio journal ~ ~
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I still haven't settled on its…
I have always liked Goya. During my printmaking period, Goya's prints were constantly before my mind. The highlight of my visit to New York's Metropolitan last year was a Goya painting. This fall I hoped to attend London's National Gallery's exhibit, Goya: The Portraits.…
The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied over acrylic gesso. A traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes…
I am familiar with the great French author Stendhal's novels--The Red and the Black, and The Charterhouse of Parma--having read them some years ago, but until I read an article in the online magazine The Point I'd…
I had to laugh when I read this article in the Independent. The story is about the group calling themselves Renoir Sucks protesting in front of Boston's Museum of Fine Arts. Renoir Sucks' main tenant is, well, that…
I finished Dinner in Trenton this morning. Today's session was the 20th. Dinner in Trenton is 40" x 56." The ground was a little flat; I found myself fighting against it at times. [caption id="attachment_5253"…
Michael J. Lewis' long piece in Commentary titled, How Art Became Irrelevant, is a tour de force of cultural analysis. In his well-written and long article (did I mention it is long?), Lewis' breadth of…
In his article in The Smart Set, Michael Lind writes about how Millennials are disinterested in the fine arts: "...Trends in American painting ever since the plate paintings of Julian Schnabel are not a big…
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