Studio journal 4/22/17
I worked on The Picnic and nothing else for the past few days. The Picnic has a painting surface that is difficult. This doesn’t happen often anymore but it’s annoying…
I worked on The Picnic and nothing else for the past few days. The Picnic has a painting surface that is difficult. This doesn’t happen often anymore but it’s annoying…
I have always liked Goya. During my printmaking period, Goya’s prints were constantly before my mind. The highlight of my visit to New York’s Metropolitan last year was a Goya painting. This fall I hoped to attend London’s National…
I had to laugh when I read this article in the Independent. The story is about the group calling themselves Renoir Sucks protesting in front of Boston’s Museum of Fine Arts. Renoir…
My wife and I spent several hours in the Art Institute on Friday. We were in Chicago for an AFHU event at the Ritz-Carlton. It was our first visit to…
Michael J. Lewis‘ long piece in Commentary titled, How Art Became Irrelevant, is a tour de force of cultural analysis. In his well-written and long article (did I mention it…
I read this laugh-out-loud piece in the NY Times. The blog post by Jeffrey Kindley is directed toward the college-age population of delicate hothouse plants who require trigger warnings on art…
The new Whitney. The Whitney Museum recently opened its new digs in Chelsea. My first (tiny) apartment in New York was in Chelsea (20th & 8th), of course, that was…
Julian Barnes writes about his love for art and art museums in The Guardian. One point he makes, one which I agree with, is that you can go your own way…