I didn’t know Philip Pearlstein long enough for him to be a true mentor, but even so he made a powerful and long-lasting impression on me. During the 80’s Philip was on the staff of Brooklyn College. His presence was the main reason Brooklyn College’s graduate fine arts department was ranked #2 in the country behind only…
Here is another painting from the cycle of large paintings ( this one is 42″ x 56″) that I am doing. The drawing was finished yesterday and it took yesterday and today to finish the initial under-painting. Following my usual practice, the detailed drawing–pencil over a raw umber ground–took several days. After fixing the drawing…
I’ve been painting one color for several days–gray: neutral gray, cool gray, warm gray, off-white, and mud. Lately I’ve used Michael Harding lead white.which is very good and cheaper than Blockx and Old Holland. I’m well into a cycle of large paintings (large for me, that is). Most of them are into the 4′ x…
Hoping you have a happy and inspiring Easter. We are attending the 12:00 Mass at St. Mary.
Here is the newest studio update. The drawing on the floor started as a painting on canvas board, but I was having so much fun drawing, I decided to finish it that way. I still plan a painting on the same subject–the Sangre de Cristo mountain range in Colorado. I prepared the canvas board using…
Two Cakes is 48″ x 48″. Unfinished, of course, as are most of the paintings shown in the “In the studio” posts. The left-side of the small container holds my standard medium: cold-pressed linseed oil+turpentine, + drops of copal varnish and coutrai drier. When I want firm, and fast-drying passages, I put the same mix…
I finished this painting three days ago. Keith in Front of a White Chair, is fairly large (for me) oil painting measuring 36″ x 48.” It’s kissing cousin to this painting, which is also 36″ x 48.” One thing i always do is I try to get the drawing right. That isn’t as straightforward as it…