Turpentine diaries 10/22/18
Normally in my Turpentine Diaries posts, I include a photo of an unfinished painting after having worked on it. As regular readers know, I'm not shy about criticizing my work--far from it! There are always…
~ ~ Thomas Hudson studio journal ~ ~
Normally in my Turpentine Diaries posts, I include a photo of an unfinished painting after having worked on it. As regular readers know, I'm not shy about criticizing my work--far from it! There are always…
I wrote before about the drying linseed oil I prepared. I decided to continue my investigations by preparing some drying walnut oil, the results of which you can see in the accompanying photograph. The walnut…
Small paintings (this painting is 30" x 40") always take longer than I expect. Starting, I intend to keep it simple, but I'm always discovering more things to explore or problems to solve. I'm only…
Keep Talking is scudding along; still unfinished, obviously, but it's moving closer. In this photo, Keep Talking, which is 36" x 48", shares the easel with a canvas I recently prepared. You can see the…
I am happy with my painting medium, as I've written before, but I also like to kick the tires of new offerings. I wrote about my use of Grove's Cole's medium several times, noting how…
For today's session with Lunch Alone, in addition to my usual medium, I used 'flavored' turpentine for my solvent: turpentine with some homemade drying oil, plus drops of Courtrai siccative. Readers of my blog know…
I am keeping everything simple and direct with The Woman in the Red Pants. Overworking can be death to a painting. On the other hand, I have a horror of the blast, fire, shoot, throw,…
Many artists have trouble determining when a painting is finished. It can be excruciatingly painful to let a painting go, especially after you worked on it for a long time. If like me, you focus…
Copy Right Text | Design & develop by AmpleThemes