Turpentine diaries 6/24/18
The drawing on the easel in the following photo is lead on pastel paper. I'd intended to highlight it with white but decided it was OK as it is. The painting on the easel, Woman…
Category: materials
Turpentine diaries
I got Along 4th Street on the easel yesterday and had some good sessions. I used walnut oil instead of linseed. I find myself reaching for the walnut oil instead of the linseed more often.…
Turpentine diaries 5/19/18
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
Turpentine diaries 4/28/18
This photo shows my first painting session with Agamemnon and Orestes. I know, I know, a bit high falutin but I am reading Aeschylus's Eumenides. Agamemnon and Orestes is 44" x 60." I mentioned that…
Preparing a canvas surface for oil painting
This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you're ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create…
Turpentine diaries 4/22/18
I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas. The initial stage for a painting of this size, 40" x 50", is…
Turpentine diaries 4/15/18
Last week, I saw one of the better shows that I've seen in Cleveland. Global Matrix IV at the Gallery at Cleveland State U contains first-rate prints from contemporary European artists. I plan to review…
Stretching canvas
While it's true that I didn't learn anything about painting at art school, it isn't true that I didn't learn anything at all. I learned a lot about printmaking, and I learned how to stretch…