Turpentine diaries 7/22/18
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect Avenue is 44" x 60")…
~ ~ Thomas Hudson studio journal ~ ~
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect Avenue is 44" x 60")…
The crude container that I made with a lead sheet contains 16 oz. of cold-pressed walnut oil. I'll leave the oil in the container for several months before straining it into a jar, like the…
The drawing on the easel in the following photo is lead on pastel paper. I'd intended to highlight it with white but decided it was OK as it is. The painting on the easel, Woman…
I got Along 4th Street on the easel yesterday and had some good sessions. I used walnut oil instead of linseed. I find myself reaching for the walnut oil instead of the linseed more often.…
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
This photo shows my first painting session with Agamemnon and Orestes. I know, I know, a bit high falutin but I am reading Aeschylus's Eumenides. Agamemnon and Orestes is 44" x 60." I mentioned that…
This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you're ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create…
I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas. The initial stage for a painting of this size, 40" x 50", is…
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