In the studio 4/24/16
My work today on Spring was all blues: ultramarine blue-violet on the blouses of the outer-most figures; cerulean blue and black on the pants of the middle woman. Magnesium blue and Veronese green on the Bug. All…
~ ~ Thomas Hudson studio journal ~ ~
My work today on Spring was all blues: ultramarine blue-violet on the blouses of the outer-most figures; cerulean blue and black on the pants of the middle woman. Magnesium blue and Veronese green on the Bug. All…
Aboard the Betty Jane is another of the 48" x 60" canvases I recently wrote about. This painting is based on some photos taken during a fishing trip abroad my boat. The Betty Jane is…
I use several products manufactured by James Groves. Jim specializes in historical painting mediums and ingredients. I've tried almost all of his products and they are unfailingly excellent--world class. I use his 19th Century Copal Oil…
I made progress on Euclid Avenue I this morning. Progress on the 48" x 60" painting has been slow at times. This canvas is from a stock of 'professional grade' canvases I bought some time back. The surfaces on…
Not so much flavored as customized. My medium is very drying, which I like immensely. I use it everyday but it has one minor flaw. When I'm painting a large area, my medium is sometimes…
I've been working on paintings that take a lot of time recently, such as the lower one in this photo. The drawing in the bottom painting was done with pencil and then fixed with ink.…
The Break is 40" x 50". I stretched a lot of 40" x 50" canvases last year and The Break is one of them. Some of the background is done, but the painting still has a…
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I still haven't settled on its…
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