I broke my palette knife
I broke my palette knife this morning, the one I've used everyday for 10 years. I was doing what I do every day--creating my usual assortment of mixtures to go with my tube colors--when my…
~ ~ Thomas Hudson studio journal ~ ~
I broke my palette knife this morning, the one I've used everyday for 10 years. I was doing what I do every day--creating my usual assortment of mixtures to go with my tube colors--when my…
The first In the studio post of the new year. On the Square is part of my Playhouse Square series. There are 15 figures in the 48" x 60" painting (16 if you count a figure…
I prepared today's medium and took yesterday's palette out of the butcher's tray where I store it. (The rectangular palette is my workaday palette; I only use the traditional oval one to mix certain tones.) I…
I wrote about my antipathy toward synthetic brushes. This photo illustrates the point I made in the linked post. The four synthetic brushes on the left are old and misshapen. In my experience, synthetics quickly lose their…
What better time to work on a summer-themed painting than in the middle of winter. Keith and Jane Aboard the Betty Jane is going slowly because I'm taking my time with the water. There is a…
Recently, I wrote about my experience with maroger--a mastic-based medium. Maroger was my standard medium for a period, although I haven't used it in a number of years. I stopped using it because details are…
I spent most of my time recently working on new paintings that are still too raw to show. I am also working on a new cycle of pieces that are still in the drawing stage. I…
The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied over acrylic gesso. A traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes…
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