Turpentine diaries 10/7/18
Small paintings (this painting is 30" x 40") always take longer than I expect. Starting, I intend to keep it simple, but I'm always discovering more things to explore or problems to solve. I'm only…
~ ~ Thomas Hudson studio journal ~ ~
Small paintings (this painting is 30" x 40") always take longer than I expect. Starting, I intend to keep it simple, but I'm always discovering more things to explore or problems to solve. I'm only…
Down on Prospect Avenue? Prospect Avenue? Prospect? Down on Prospect? The latter is the name I plan to stick with. This painting is almost finished. My habit is to put away an almost-done painting and…
Keep Talking is scudding along; still unfinished, obviously, but it's moving closer. In this photo, Keep Talking, which is 36" x 48", shares the easel with a canvas I recently prepared. You can see the…
I am happy with my painting medium, as I've written before, but I also like to kick the tires of new offerings. I wrote about my use of Grove's Cole's medium several times, noting how…
For today's session with Lunch Alone, in addition to my usual medium, I used 'flavored' turpentine for my solvent: turpentine with some homemade drying oil, plus drops of Courtrai siccative. Readers of my blog know…
I am keeping everything simple and direct with The Woman in the Red Pants. Overworking can be death to a painting. On the other hand, I have a horror of the blast, fire, shoot, throw,…
Here is my first session with Keep Talking. Today, I just threw paint onto the canvas without worrying overmuch about details, although I was--as always--careful to preserve the drawing. It's risky to share such raw,…
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect Avenue is 44" x 60")…
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