Studio journal 1/29/17
Paintings take on a life of their own. Sometimes that's good; other times, not so good and I argue with the painting. I am not arguing with Playhouse Square Visit but I am surprised at…
~ ~ Thomas Hudson studio journal ~ ~
Paintings take on a life of their own. Sometimes that's good; other times, not so good and I argue with the painting. I am not arguing with Playhouse Square Visit but I am surprised at…
The poor old thing finally gave up the ghost. I knocked the Pearl brand in my Brush Reference, but this old brush kept its usefulness for a long time. The once mighty Pearl Paints has…
The cheery sunlight made me pause as I entered the studio and take this photo. The easel has the painting Break on it. Break is 40" x 50." Studio corner with some current work drying. Break is…
Sub Rosa, the unfinished painting on the easel, is moving along. The underpainting is nearly done. The white-seeming ground visible throughout the painting is actually a middle-ish gray tone. Compare it with your eyes to the…
I didn't plan it, but yesterday I worked on two paintings of my son John. I finished the larger painting on the easel, John Hudson and His Father. It's based on a photo of John when he…
Here's the studio corner with recently-worked paintings drying. The bottom-right painting, Sub Rosa, is still in the starting stages. You can see the gray-tone ground throughout.
Euclid Avenue #1 took up my time today. Euclid Avenue #1 is part of the Playhouse Square series. Push-pull. I've disdained synthetic brushes in the past, but I finally found a model that behaves decently:…
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