Arguing with a painting
I’ve had a long argument with this as-yet-untitled painting. The argument started as soon as I completed the original design. I spent time taking things out of the design after it was supposed to be finished. I work hard on designs and only start painting with the drawing is finished. But it’s a large painting,
Ugly colors
There are no ugly colors. This is a bit of conventional studio wisdom that is actually true. When I was starting out, I used a limited palette out of necessity. My palette had a lot of ochres, browns, and earth colors–the cheap paints. Limited palette users quickly learn that you can paint almost anything with
This and that
I ‘finished’ Trooper Escort several months ago. I often struggle with what ‘finished’ means in practice. These days, I put ‘finished’ paintings aside before signing them. This gives me time to cool off and be more objective. So I took up the painting this morning and, sure enough, felt compelled to add a few touches.
Back home
We’re back home from a week-long vacation. Like all vacations, it was simultaneously relaxing and exhausting. I plan several posts about our virus-shadowed adventure through the south. Among other things, we visited the Knoxville Museum of Art. Today, I had time to clean this painting in preparation for its final varnishing.
Turp? OMS?
There is a lot of confusion among artists about turpentine and mineral spirits. Some YouTubers promote Gamasol as an alternative to turpentine. One even recommends Gamsol as a natural substitute for mineral spirits.(?) This particular artist provides commercial seminars on oil painting! Turpentine is distilled from the naturally-occurring resin from fir trees. It’s been used
New series–4th Street
The two series that have preoccupied me over the past several years are still moving along. One of them, Playhouse Square, I started deliberately. After launching the series, I continued to take photographs in the target area for some time. The other series, Along Main Street, just happened. Many paintings in both series are finished,
Oil of Cloves
I’ve been following a reader’s tip for slowing the drying time of oils. Responding to my complaint about how oil paint in jars dries too quickly, reader Clint Atkinson suggested that I put a piece of cloth soaked with oil of cloves in the jar. I’ve been following this tip for several weeks and it
Backslide
I know me. When I finish a painting, if I don’t put it away I’ll find something to fix or improve. Paintings never get finished that way. It’s the deepest and rabbit-ity of all rabbit holes. I finished this painting, Phone Call on Main Street, some time ago, but every time I look at it,