My fav…raw umber
Next to lead white, raw umber is my most-used color. Because it's fast drying, it's ideal for every use case, whether I'm making a quick sketch or preparing the underpainting on a large painting. Additionally,…
~ ~ Thomas Hudson studio journal ~ ~
Next to lead white, raw umber is my most-used color. Because it's fast drying, it's ideal for every use case, whether I'm making a quick sketch or preparing the underpainting on a large painting. Additionally,…
I've been drawing a lot lately. I made this small study while preparing a large (for me) new painting for my Amusement Park series. I'd planned to make an oil sketch but decided to heighten…
I know what you're thinking but, no, not that kind of loaded. I get excited when I prepare my palette for another painting session. Seeing the waiting colors is inviting. I coat the glass palette…
I haven't been a fan of gelling paint mediums since my early interest in maroger, a gelling medium made from mastic. But I like to experiment with mediums, sometimes to my harm. My go-to for…
Readers know about my obsession with The Great White--flake (lead) white paint. This all-important color is getting harder to find because some manufacturers stopped making it due to misguided health concerns and regulations. I've discussed…
I always try to be as efficient as possible with my paintings. But I'm also cheap. The combination of efficiency and cheapness has frequently caused me headaches. Instead of saving time and money, I've wasted…
I kept studio journals from the outset of my career. At first, I tracked my sales in the journal. Then I started tracking my supplies--the number and size of stretched canvases I had on hand,…
No, I haven't lifted my boycott against Old Holland. But a comment on this related post sent me looking at my dwindling stock of Old Holland supplies--things I bought pre-boycott. This photo shows my bottle…
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