Turpentine diaries 5/27/18
The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36" x 48." We live in a great time when information…
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Turpentine diaries 5/19/18
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
Turpentine diaries 5/6/18
This photo shows Crossing after my 4th session. Nothing is close to being finished except the blue of the sky, ultramarine blue + cobalt blue + flake white. The broad range of scale among the figures is…
Turpentine diaries 4/29/18
I thought it would be fun to compare Agamemnon and Orestes after the second day to the first day--bottom photo. After the second day, the underpainting is finished. The underpainting is about getting paint on…
Turpentine diaries 4/28/18
This photo shows my first painting session with Agamemnon and Orestes. I know, I know, a bit high falutin but I am reading Aeschylus's Eumenides. Agamemnon and Orestes is 44" x 60." I mentioned that…
Preparing a canvas surface for oil painting
This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you're ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create…
Turpentine diaries 4/22/18
I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas. The initial stage for a painting of this size, 40" x 50", is…
Turpentine diaries 4/15/18
Last week, I saw one of the better shows that I've seen in Cleveland. Global Matrix IV at the Gallery at Cleveland State U contains first-rate prints from contemporary European artists. I plan to review…