Studio journal 1/18/16
Sub Rosa, the unfinished painting on the easel, is moving along. The underpainting is nearly done. The white-seeming ground visible throughout the painting is actually a middle-ish gray tone. Compare it with your eyes to the…
~ ~ Thomas Hudson studio journal ~ ~
Sub Rosa, the unfinished painting on the easel, is moving along. The underpainting is nearly done. The white-seeming ground visible throughout the painting is actually a middle-ish gray tone. Compare it with your eyes to the…
I wrote before about some of my experiences with Lukas 1862 oils. I wanted some more time with the paints before completing my review. With these recent sessions, I've had my fill of Lukas oils.…
These two recent pastel drawings are on canvas. Primed canvas is an unusual support for pastels or charcoal because it's not absorbent enough. Pastel chalk falls off too easily. I originally intended to use these canvases…
I didn't plan it, but yesterday I worked on two paintings of my son John. I finished the larger painting on the easel, John Hudson and His Father. It's based on a photo of John when he…
I used some of the Lukas 1862 oils I wrote about before. I'm still not ready to add the brand to my oil paint reference because I need more testing. In their marketing material, Lukas…
Euclid Avenue #1 took up my time today. Euclid Avenue #1 is part of the Playhouse Square series. Push-pull. I've disdained synthetic brushes in the past, but I finally found a model that behaves decently:…
I worked on the 48" x 48" oil, Two Cakes. Two Cakes has been long in hand. I really do not like the surface; a commercial canvas by Fredrix. I bought an assortment of Fredrix…
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