In the studio 11/22/16
I worked on these three small paintings yesterday. I am trying to keep all three simple. Millie Talking, the painting sitting on the floor, is almost done. There are a few that still needs ‘saying.’ According to my Studio Journal, I notice that I’ve worked on the two landscapes at the same time, one after the
In the studio 11/13/16
Some recent work on view in this photo. Break, lower-right, is part of the Playhouse Square series and is close to being finished. Press, lower-left, is sill very raw. Sunday Parade, on the easel, was recently (yesterday) finished. At any one time, I work on a lot of paintings that are in varying degrees of completeness. I
In the studio 11/6/16
My studio corner is jammed with things I’m working on, including the recently finished Woman in Purple Boots II. Woman in Purple Boots II is 44″ x 60″. In the bottom-right of the photo is a box of surgical gloves. I buy them by the case. My medium contains lead-based ingredients and turpentine, plus some
In the studio 10/23/16
I worked a little while on this small painting, which is part of the Playhouse Square series. I also spent time working on a large drawing. It’s been awhile since I’ve done that. Of late, most of my drawings have been as preparation for paintings. I have a mess of canvases ready to go, everything
Review: Richeson’s Rectified Turpentine
Have you read many turpentine reviews lately? How about ever? I use turpentine every day in my oil painting. Winsor Newton is a pretty reliable manufacturer. Their oil paint, while not the best, is very good and it’s reasonably priced. Their English Distilled turpentine is my usual choice. It handles well in my medium and performs
In the studio 10/16/16
This painting, Girl in the Purple Boots II, is typical of how I work these days. Like the earlier version, Girl in the Purple Boots I, the painting is based on a mash-up of several photos taken around the same time at the same location. In the case of the Purple Boots paintings, the photos
How I paint: mediums and thinners
This photo shows painting cups in front of my custom-made palette. I always use this selection of mediums and solvents when I paint. In the left-most container is my medium. My medium is very drying which means, among other things, that it is very rough on brush heads. Not only does it dry out the brush hairs,
In the studio 10/9/16
I worked on several paintings over the past few days. I also applied the ground to the canvas on the right-side of the photo. The tone is burnt sienna, raw umber, and white. I used to use warm grounds based on burnt sienna but lately I’ve used gray. So I am reverting to my earlier