I am into the overpainting phase with Parade. although the surface is still very matte. No part is exactly done. Yesterday’s morning session went poorly. I couldn’t see. It happens. Sometimes when I take up a painting that I struggled with previously, the solution is obvious. How could I have missed it? When artists talk…
Category: Tips and Studies
materials, Shop Talk, Tips and Studies
Flavored turpentine
by
•aesthetics, materials, Shop Talk, Studio Corner, Tips and Studies
In the studio 3/6/16
by
•materials, Shop Talk, Tips and Studies, Uncategorized
Blue Ridge paints back in business
by
•materials, Paintings, Shop Talk, Studio Corner, Tips and Studies, Uncategorized
In the studio 1/24/16
by
•materials, Shop Talk, Tips and Studies, Uncategorized
Transferring designs to canvas–update
by
•I’ve written before about the various methods used to transfer designs to canvas or other surfaces. There are three ways to do it: projector, grid, or cartoon. Typically, I use grids. Grids can handle any scale and I like working out final design elements on the canvas grid before picking up the brush. I can grid off a sketch and…
materials, Paintings, Shop Talk, Studio Corner, Tips and Studies
In the studio 8/9/15
by
•This is the first time I’ve shown Break. Break is 40″ x 50″ and I’ve had four painting sessions. Break is another of my Playhouse Square series. The painting in the background, Euclid Avenue II, is another painting in the series. The painting on the right-side is Taking Note, which is close to being done.…
materials, Reviews, Studio Corner, Tips and Studies, Uncategorized
Review: Charvin Fine Oils
by
•I bought some cerulean blue from Charvin. Actually, Charvin doesn’t produce a true cerulean blue but something they call ‘cerulean blue hue.’ Charvin produces two lines of paints: Fine, and Extra Fine. This review is about the ‘Fine’ line. I don’t know what Charvin thinks cerulean blue is, but their cerulean blue hue is nothing like…