Turpentine diaries 6/17/18
The thing about this Fabriano drawing pad is I can work-up drawings with pencil or pen--my two favorite materials--without mess or fuss. The really good paper I save for charcoal or pastel, but this paper…
~ ~ Thomas Hudson studio journal ~ ~
The thing about this Fabriano drawing pad is I can work-up drawings with pencil or pen--my two favorite materials--without mess or fuss. The really good paper I save for charcoal or pastel, but this paper…
The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36" x 48." We live in a great time when information…
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
The Cleveland Museums of Art's Eyewitness Views: Making History in Eighteenth-Century Europe is the best show I've seen at the museum since I started my near-weekly visits six years ago. As good as the show…
This photo shows Crossing after my 4th session. Nothing is close to being finished except the blue of the sky, ultramarine blue + cobalt blue + flake white. The broad range of scale among the figures is…
I thought it would be fun to compare Agamemnon and Orestes after the second day to the first day--bottom photo. After the second day, the underpainting is finished. The underpainting is about getting paint on…
This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you're ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create…
Snow in NE Ohio on April 17! OK, just a dusting but I cannot remember snow this late before. [caption id="attachment_7850" align="aligncenter" width="800"] Snow on our backyard lawn furniture[/caption]
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