In the studio 7/19/15
I’ve been preparing canvases (stretching, applying gesso and toned grounds) and doing a lot of drawing. I thought Graduation Day was ready for the end game several times but I was wrong. It’s close…
I’ve been preparing canvases (stretching, applying gesso and toned grounds) and doing a lot of drawing. I thought Graduation Day was ready for the end game several times but I was wrong. It’s close…
It’s really overcast today and the studio lights affect tones. It’s either the studio lights or a flash, which would be worse, so the photo isn’t very good. Picnic is 40″…
I finished Dinner in Trenton this morning. Today’s session was the 20th. Dinner in Trenton is 40″ x 56.” The ground was a little flat; I found myself fighting against…
Michael J. Lewis‘ long piece in Commentary titled, How Art Became Irrelevant, is a tour de force of cultural analysis. In his well-written and long article (did I mention it…
This unfinished painting on the easel, Euclid Avenue II, is from my Playhouse Square series. (Euclid Avenue I has a lot more figures and is still in the drawing stage.)…
I bought some cerulean blue from Charvin. Actually, Charvin doesn’t produce a true cerulean blue but something they call ‘cerulean blue hue.’ Charvin produces two lines of paints: Fine, and…
Unfortunately, the overcast skies resulted in a dark photograph of Sunday Parade. The studio’s bank of natural-light lamps washes out the colors in photographs, so I have to make due with this…
In his article in The Smart Set, Michael Lind writes about how Millennials are disinterested in the fine arts: “…Trends in American painting ever since the plate paintings of Julian…