Drawing session on the painting titled The Photographer
I had a good drawing session on the painting titled The Photographer this morning. This painting of a single figure is 32″ x 48.” I think one more session will be enough. When I mentioned this painting the other day, I didn’t show it, and I won’t show it here. I don’t think you can
In the studio 9/28/14
This morning, as usual, I worked on drawings, this time for a painting titled The Photographer. This was the 2nd drawing session for it. I spent the rest of the day painting on the 44″ x 56″ Washington Square. Today’s painting session was the 3rd for this painting; it’s still too raw to show. Yesterday I had
In the studio 9/21/14
I had several sessions with this painting, Dinner in Trenton, over the past few days. It was the first opportunity to use my new Terkell flats; first-rate brushes–and affordability priced. How many more sessions? Hard to say. Working on a large painting (Dinner in Trenton is 42″ x 56″) is a series of calculations. It’s easy to make
New painting Washington Square
I had several painting sessions with a new painting titled Washington Square. I finished the drawing yesterday morning (6th or 7th drawing session) and started straightaway on the painting. The 44″ x 60″ has twelve figures–and pigeons! It’s not far enough along to show yet. The painting is very rough and I don’t think anyone looking
New painting started–The Photographer
I had my first drawing session for a new painting this morning. The Photographer is 32″ x 48″ and like The Explainer the subject is a single figure, although this time the figure is outdoors.
In the studio 8/31/14
I’ve had two more session with this painting since I last posted an update. That makes seven sessions, not counting the drawing sessions. The sky is done.
In the studio 8/24/14
This unfinished painting is titled The Picnic. Today’s session was the fourth, not including the drawing sessions. The painting is 40″ x 56″. The ground is neutral burnt sienna, which can be seen on the building in the upper-right. Recently, I’ve moved to neutral gray grounds.
In the studio 8/17/14
This painting has occupied me for the past three days. The 42″ x 56″ oil is from an a batch I started this spring. The red gown provides a satisfying challenge. As usual, drawing is the key. The light was poor this morning. Normally, when that is the case, I draw until the light improves.