In the studio 12/23/15
What better time to work on a summer-themed painting than in the middle of winter. Keith and Jane Aboard the Betty Jane is going slowly because I'm taking my time with the water. There is a…
~ ~ Thomas Hudson studio journal ~ ~
What better time to work on a summer-themed painting than in the middle of winter. Keith and Jane Aboard the Betty Jane is going slowly because I'm taking my time with the water. There is a…
Today's was the fourth painting session on Girl in the Purple Boots II. I think it's far enough along now that you can get a sense of what it is about. I'm in my second…
Recently, I wrote about my experience with maroger--a mastic-based medium. Maroger was my standard medium for a period, although I haven't used it in a number of years. I stopped using it because details are…
I spent most of my time recently working on new paintings that are still too raw to show. I am also working on a new cycle of pieces that are still in the drawing stage. I…
I've posted little this week. The flu sapped my energy and I preserved what little of it I had for painting and drawing. Most days, I got very little work done, and what I did exhausted…
When the painting ground (surface) isn't up to snuff paintings take longer. The ground for The Photographer is one of the poor ones. A small change in the preparation can have a major effect. I'll…
The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied over acrylic gesso. A traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes…
Most of modern arts journalism is marketing. One infrequently encounters critical journalism these days. A recent article in Canadian journal The Walrus is pretty typical. The piece, A Portrait of the artist's Studio, is about the…
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