Turpentine diaries 4/1/18 Easter
This is a photo of two paintings I started today. That is, I started applying paint to the canvases today; drawing started several days ago. So, this shows the underpainting where I’m just covering the surface with paint. Both paintings are 30″ x 40.” I’m still using the Utretcht lead white, their Flemish white. It
Turpentine diaries 2/18/20
More Playhouse Square work. This one is creatively titled Trip to Playhouse Square. This (still) unfinished painting is 40″ x 50.” I like the size and recently ordered enough stretchers for 9 paintings sizes 40″ x 52″ and 40 x 56.” Yesterday, I walked downtown by the lake and someone nearly hit me with their
Turpentine diaries 1/7/18
I worked on Booth at the Fair these past two days. It’s starting to move my way. I can struggle with paintings for a variety of reasons, sometimes technical, sometimes who knows what. This painting hit a groove straightaway and began to slide into place, except I didn’t want it to go that direction. Now, like
Some watercolors
Odds and ends. Today, I finished the landscape (somewhere around Monterey) and worked on the figure with the striped shirt (my wife Kathleen). It still needs work. Both are watercolors. The pen and ink drawing of the figure behind the landscape is on bristle board. My watercolor kit. The bottom drawer contains watercolor tubes. I
Boating season soon
Even though the winter was mild, we are just now at the beginning of the boating season. The Betty Jane is the middle boat in this photo. It’s shrink-wrapped like its winter-storage neighbrors. Shrink wrapping protects the boats during winter storage and, as you can see, it’s commonly done in marinas along Lake Erie in
Winter rain
It’s unusual to get rain showers in February in NE Ohio. Normally, the only precipitation we experience this time of year is snow–a lot of it. But the warm weather, 70+, was accompanied by driving, slashing rain. My son urged me to test the low-light capabilities of my new Nikon D750 camera. Have a look. This flashless photo
Studio journal 2/21/17
I’ve always approached painting as a process of carving away and revealing, the way I imagine a sculptor approaches sculpting. Not modeling but carving. I bring this up because this unfinished painting, Sub Rosa, is a pretty good example of my approach. There are many ways to talk about painting, of course. I used to talk about
Studio journal 1/18/16
Sub Rosa, the unfinished painting on the easel, is moving along. The underpainting is nearly done. The white-seeming ground visible throughout the painting is actually a middle-ish gray tone. Compare it with your eyes to the dab of white in the middle of the palette. Sub Rosa is based on photos taken during last year’s Festival