In the studio 1/16/16
I worked on the two small paintings in the photo's upper-center today. I finished the small (20" x 24") painting of the boy, Keith Fishing. I have been disciplined lately and worked exclusively on large…
~ ~ Thomas Hudson studio journal ~ ~
I worked on the two small paintings in the photo's upper-center today. I finished the small (20" x 24") painting of the boy, Keith Fishing. I have been disciplined lately and worked exclusively on large…
I broke my palette knife this morning, the one I've used everyday for 10 years. I was doing what I do every day--creating my usual assortment of mixtures to go with my tube colors--when my…
I have always liked Goya. During my printmaking period, Goya's prints were constantly before my mind. The highlight of my visit to New York's Metropolitan last year was a Goya painting. This fall I hoped to attend London's National Gallery's exhibit, Goya: The Portraits.…
The first In the studio post of the new year. On the Square is part of my Playhouse Square series. There are 15 figures in the 48" x 60" painting (16 if you count a figure…
I prepared today's medium and took yesterday's palette out of the butcher's tray where I store it. (The rectangular palette is my workaday palette; I only use the traditional oval one to mix certain tones.) I…
I wrote about my antipathy toward synthetic brushes. This photo illustrates the point I made in the linked post. The four synthetic brushes on the left are old and misshapen. In my experience, synthetics quickly lose their…
What better time to work on a summer-themed painting than in the middle of winter. Keith and Jane Aboard the Betty Jane is going slowly because I'm taking my time with the water. There is a…
Today's was the fourth painting session on Girl in the Purple Boots II. I think it's far enough along now that you can get a sense of what it is about. I'm in my second…
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