Oil Paint Brand Ratings

I’ve used oils paints from almost every producer known to man, or at least those known in the US.  This photo shows my two paint cabinets.  The one on the left has tubes of blue, green, yellow, and earth red.  The top-drawer, for example, contains only yellows.  The barely-visible cabinet on the right contains reds, whites, blacks, and earths.

A lot of paint!  OK, I never throw out supplies and some of the tubes might be many years old and unusable by now, but they’re there in case I need that one particular color at midnight.

I never throw out brushes either.  Some of those in the photo—little more than stubs by now—I’ve had since high school.

Cabinet with yellows, blues, greens, and earth colors

Cabinet with yellows, blues, greens, and earth colors

Not all paints are the same–no!  Oil paints consist of pigment, binder, and (usually) additives.  Pigments can be identified by their Color Index Name, which is a standard code used internationally.  Vermilion red, for example, is PR106 (permanent red 106—mercuric sulfide).  Of course, manufacturers have their own agendas, but you can quickly tell if a paint is a single-pigment paint or a combination.  By the way, if you are curious about the pigments used to make paints, this site provides a wealth of information.  Although it’s a site dedicated to watercolor, the author provides wonderful discussions about pigments and color theory.  It’s one of my favorite sites on the web.

Binder refers to the medium–oil–used to grind the pigment. Alkali-refined linseed oil is most commonly used but walnut oil is frequently seen, and others as well. Poppy is the most expensive binder and manufacturers try to input value to paints made with it.  Safflower is the cheapest.  Some manufacturers claim walnut is the best all around binder (I don’t, I prefer cold-pressed linseed).  When manufacturers use more than one binder, they generally use one for some colors, and other binders for others, although that’s not always the case (Blue Ridge blends walnut and linseed oils, for example).

“Additive” is a touchy subject.  Almost all commercial manufacturers add something to their paint in addition to pigment and binder.  This is not necessarily a bad thing.  Extenders extend the shelf-life of tube paint, without which even more of the tubes in my cabinets would be dry and useless. Note, too, that adding things to paint to affect their behavior is a cottage industry, and many artists—including me—muck around with different concoctions all the time.  Having said that, one of the biggest distinctions between good paint and bad is a number of additives in it: the more additives, the worst the paint.

A minority of painters grind their own paint, including this one with whom I was an apprentice and diligent paint grinder once upon a time.

The following list is ordered by the cost of cerulean blue.  Cerulean blue (PB35 cobalt tin oxide) can be very dear, and its price provides a good general guide.  You won’t find many student-grade brands, like Van Gogh, listed.  When I was young I couldn’t afford “artist grade” paints and told myself it didn’t matter.  Sadly—bitterly—it does matter.  I haven’t used Grumbacher in years because I associate them with my student days.

Although price does not always translate into value, it’s a good rule of thumb: buy the best paints you can afford.

Most, but not all, brands on this list I’ve tried at some time or another.  I note those I haven’t tried.  The prices are found online.







Blockx iron oxides, earth pigments, and blacks use linseed; everything else uses poppy seed


35ml.  One of the best. My choice for high-end brand.    

Quality: A 

Price: F

Blue Ridge alkali refined linseed oil & cold pressed walnut oil


40ml.  Excellent value.Quality: B Price: B+    

*My choice for mid-range*


Bob Ross ingredients not listed


37ml.  Does not make cerulean blue. All 37 ml tubes are 5.69 Quality: D Price: A    



Charvin Extra Fine poppyseed


60ml. ‘Extra fine’ line.Quality: C+ Price: B
Charvin Fine poppyseed


150ml. Quality: D Price: A    

cerulean blue is useless, closer to royal blue

Chroma linseed & safflower


40ml. Not used
Da Vinci alkali refined linseed (safflower for whites)


40ml. Price of most expensive paint, does not make Cerulean (something called Cerulean Hue @ 14.70. Have not used.
Daler-Rowney linseed & wax


38ml. Price of most expensive paint, does not make Cerulean. Student grade. Not used.
Daniel Smith alkali refined linseed & safflower


37ml. “Cerulean Blue Chromium.” Quality has recently declined. Student grade; avoid except for sketches or grounds.Quality: D Price: B+
Doak walnut & safflower


40ml. “Cerulean Lt. Stannate”Quality: C+ Price: B-
Gamblin alkali refined linseed & safflower


37 ml.  Can’t use, too short.Quality: C Price: B


Will not use.
Grumbacher alkali refined linseed


37ml. ‘Pre-tested’ line. Review 1/31/16.    

Quality: C-  Price: B+

Holbein cold-pressed linseed


40ml. Has a Vernét Superior line (haven’t tried) @ 36.39.  Good paint and value.Quality: B Price: B
Kremer Pigments linseed or walnut

Kremer is known for their pigments and other rare or hard to find materials. They do not provide a ready-made cerulean blue. Their only ready-made oil color is white; their flake white in linseed oil is extremely good (haven’t tried the white in walnut oil).Quality: A Price: C
LeFranc and Bourgeois safflower


40ml.  Some other colors more expensive. Quality has recently declined. Student grade; avoid except for sketches or grounds.Quality: D- Price: B+
Lukas 1862 cold-pressed linseed, safflower, wax


37ml. Good covering for a low-end brand. Reviewed 1/17/17.    

Quality: c-

Price: A

Master’s Touch refined linseed

Tested without cerulean blue. Student grade. 

Quality: F

Price: A+

M.Graham walnut


37 ml. Other more expensive paints. Excellent value.Quality: B+ Price: B+
Maimeri Puro safflower & linseed


60ml. Their top line; they have several others, not all use this binder.
Master’s Touch  

Did not use cerulean for my test. Student grade. 

Quality:  F

Price: A+

Michael  Harding cold-pressed linseed


37ml.  Very good to excellent. Flake white is very good.Quality: B+ Price: D+
Old Holland cold-pressed linseed


40ml. Ludicrous and cynical prices. I won’t use it. 5/16/17        

Quality: A

Price: F–

Rembrandt linseed


40ml. Quality has recently declined. Student grade; avoid except for sketches or grounds. Quality: D+  Price: C
RGH cold-pressed linseed alkali refined linseed




Use safflower or alkali refined linseed for all colors. They also offer lead-based whites with walnut and cold-pressed linseed oil. Buyers can choose the binder for white. The cold-pressed white is very good.Cheap tubes that break or leak led me to downgrade their rating.Excellent value.Quality: B Price: A    

*My choice for mid-range*

Richeson alkali refined linseed


Have not used
Rublev  linseed


50ml.  Does not make cerulean, the quoted price is for Naples Yellow (Lead Antimonate).  Specializes in “traditional” colors.Generally a good value. “Historic paints” are very expensive, otherwise competitively priced.They also have a good site. Their French burnt sienna is my favorite brand for this very important color.Quality: B+ Price: C+
Schmincke Mussini damar


35ml.  The price of most expensive paint, does not make Cerulean Blue.  Won’t use due to the dammar.
Sennelier safflower


40ml Not used enough to rate.
Utrecht linseed & safflower


37ml. A decent mid-range brand. Flake white is good. Reviewed 2/15/17.    

Quality: B-

Price: B+

Williamsburg alkali refined linseed oil


37ml.Quality: B Price: C-
Winsor Newton cold-pressed linseed (sometimes mixed with safflower; safflower for whites)


37ml. Do not like their whites, otherwise a terrific value. Their gouache is tops.Quality: B+* Price: B+

My Choice for Mid-Range Brand 8/2/20

I’ve used a lot of paints and I’ve used a number of them for an extended period. Among the mid-range brands, while there are several excellent values, RGH, Blue Ridge, and Utrecht are my choices. I’ve been using a lot of Utrecht’s flake white.

My Choice for High-end Brand


I no longer use Old Holland due to their price gouging.



10/19/21 Added Bob Ross.

5/16/21 Downgraded Rembrandt’s price rating.

1/3/21 Master’s Touch review.

8/2/20  Added Geneva non-review.

5/16/17 Downgraded Old Holland.

2/15/17 Review Utrecht.

1/17/17 Added Lukas 1862.

11/30/16 RGH and Blue Ridge supplant Winsor Newton for my top spots for the mid-range brands.

1/31/16 Added rating for Grumbacher. See review.

12/9/14 added Kremer Pigments

10/27/14 added a note about Natural Pigments’ French burnt sienna

  11 comments for “Oil Paint Brand Ratings

  1. Hi Tom. Thanks for a very useful website. Just wondering about your review above for RGH paints. When you say “cheap tubes that break or leak” did you by any chance mean their jars? I noticed on your paint raring table you complained about them not selling their paint in tubes which has made me wonder about the above comment ie thinking you might have meant to make reference to their jars rather than their tubes. I’d really like to know as I was just about to buy some of their lead in walnut oil. Cheers, Jenny

  2. Hi,
    My RGH paints have come in jars and tubes. Originally, the tubes they used were cheap. My comment refers to those early tubes. Since I wrote that, RGH has moved to better quality tubes, which I find perfectly acceptable. I buy whites in jars because of price (jar prices are better). I find that I can prevent the jarred-paint from drying by storing the jars in baggies. Their flake white is my favorite white these days.

  3. Hi,

    My review on this page captures my view about their paint. My preference for RGH white is based on price. I’ve tried a variety of Rublev’s other products. Some of it is very good; some of it is useless. Their oil gound, for example, is a useless watery mess. Their black oil is good.

  4. What is the practical difference between Flake White (PW-1,PW6) and Flemish White(PW-2) beside pigments ?
    Thank you

  5. Thank you for taking your time and knowledge to write your views on the different Companies. i was holding my breath on Winsor&Newton evaluation and then let out a great sigh of relieve coz I seem to stick to what I like without experimenting with different companies.

  6. Hi Maddy. I still like W & N. Pretty good paint at (still) good prices. I have a grudge with them, however, since they stopped making the all-important flake white.

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