Brush graveyard
My brush graveyard is getting too big. I throw out most of my worn-out brushes. I've also been known to snap in two misbehaving brushes. Those I also throw out. But my favorites I inter…
~ ~ Thomas Hudson studio journal ~ ~
My brush graveyard is getting too big. I throw out most of my worn-out brushes. I've also been known to snap in two misbehaving brushes. Those I also throw out. But my favorites I inter…
Sable brushes are the best. There's no debate about this. Sure, there are some use cases where the benefits of sable are irrelevant. The fine control provided by sables is lost on large-format oil paintings,…
Even though I sometimes disparage bristle brushes, I use them all the time. I use them for medium or broad passages--not for finer areas. Like most students, I was taught that real painters used bristles…
I haven't posted in a month and some readers might be wondering if anything is up. Nope. A vacation mixed-in with some other business has kept me away from my brushes. Breaks can be good;…
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
The poor old thing finally gave up the ghost. I knocked the Pearl brand in my Brush Reference, but this old brush kept its usefulness for a long time. The once mighty Pearl Paints has…
This photo shows painting cups in front of my custom-made palette. I always use this selection of mediums and solvents when I paint. In the left-most container is my medium. My medium is very drying which…
I wrote about my antipathy toward synthetic brushes. This photo illustrates the point I made in the linked post. The four synthetic brushes on the left are old and misshapen. In my experience, synthetics quickly lose their…
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