My red box
I keep my oils in two cabinets. Here is the red drawer. I hate running out of things while I work–it’s a mania. Painting is like taking a journey and I don’t want the journey to end prematurely. That’s one reason I have a lot of paint. I also test and review brands, brands that
What happened to Kremer pigments?
The Germany-based art supplier Kremer was the best source for hard-to-find items not long ago. Now? It’s impossible to complete orders online, not difficult–impossible. I recently attempted to place an online order with Kremer’s U.S. location. The order contained two items that Kremer flagged with special handling requirements. One of the items is black oil
Brush graveyard
My brush graveyard is getting too big. I throw out most of my worn-out brushes. I’ve also been known to snap in two misbehaving brushes. Those I also throw out. But my favorites I inter into the graveyard after distinguished service. I started pruning the graveyard to make room. Having a lot of brushes extends
Transparent earth colors
Oil paint can be profitably judged for either its covering strength or transparency. This comports with some well known bits of studio wisdom: “fat over lean,” and “thick lights, thin darks.” Covering colors, often called ‘body’ colors, hide everything beneath them. Transparent colors modify what is beneath them while leaving them visible. In watercolors, transparent
Review: Michael Harding oil paint
In the past, I used enough Michael Harding paint to add it to my oil paint reference. My initial rating was “good.” Later, I tried their titanium white and was surprised to discover that it is the best titanium white I’ve ever used. I am not a fan of titanium white but the Harding unbleached
Review: Van Gogh oil paints
When I started my oil paint brand reference, I excluded ‘student grade’ brands. The distinction between student grade and other brands was based on price. Everyone understands that you get what you pay for but art supplies is one product area where the old adage is not reliable. Art supply manufacturers include some of the
Winner!
The first painting in my Amusement Park Series, Winner!, is moving along. I finished the underpainting and moved onto the overpainting, as you can see in this photo of the canvas. Yesterday, I strecthed a 40″ x 54″ canvas for another painting intended for the series. I also prepared the stretchers and cut canvas for
The problem with blended commercial oil paint
The ideal palette consists entirely of single-pigment colors. Such an ideal palette provides artists with total control over values and tones. This is especially important for artists, like me, who use lead white. These days, even high-end brands use titanium white in their multi-pigment colors. Old Holland, for example, uses a blend of titanium white,