Category: materials

RGH’s atelier series

RGH’s atelier series of refined painting oils is good stuff. I’ve used most of the pictured 4-oz jar and I’m very happy with the results. I just placed an order for a full pint. Good oil is critical for painting. RGH refines their oil by “historical methods.” I put that in scare quotes because one…

Sable brushes

Sable brushes are the best. There’s no debate about this. Sure, there are some use cases where the benefits of sable are irrelevant. The fine control provided by sables is lost on large-format oil paintings, for example. So on large paintings, why go to the expense? And–oh boy!–sable brushes are expensive. I paid $60+ over…

Almost ready

I put the final toned ground on the linen-cotton blend canvas that I recently wrote about. The canvas is dry, indeed, it was dry the same day I applied the ground, but it still needs to cure for a few days. Dry to touch doesn’t mean really dry. When it’s done curing, I’ll sand it…

Commercial canvas

I spend a lot of time preparing canvases–stretching, priming, and grounding. The process works well for me but it’s time-consuming. I would gladly buy commercially-prepared canvas but my experience with it has been bad. In the past, I’ve paid premium prices for inferior products. The art supply market is filled with hucksters and amateurs. Knowing…

I bought manganese violet

Like the title says, I bought some manganese violet. Some artists maintain that they can reproduce every color by using a small collection of paints. While it’s true that you can create a tremendous variety of colors with a limited palette, it’s not true that you can reproduce every color that way. There are a…